|
"Saints".
These had four, five, and even seven gigantic trunks" springing
from the same base", bearing, like American Sequoitas, leaves
only at their very tops. The bark of the Cedar of Lebanon is dark
gray and exudes a gum of balsam, which makes the wound so fragrant
that to walk in a grove of cedars is an utmost delight. The wood
is astonishingly decay resistant and it is never eaten by insect
larvae. It is of a beautiful red tone, solid, and free from knots.
The terminal shoots
are erect or slightly inclined. The tree blossoms in September or
October, which is peculiar to the genus Cedrus among the conifers.
It bears cones that require three years to mature. The cone is initially
tiny and pale green. The second year it reaches its full size that
ranges between 3-4.5 inches in height and has a characteristic violet
purple color. In the third season it turns into a rich brown and
scatters its seeds, which are minute, considering the size of the
tree. The cones are born upright on the upper side of the branches.
The importance of
the cedar of Lebanon to the various civilizations is conveyed through
its uses. The Egyptians used its resin to mummify their dead and
thus called it the "life of death", and cedar sawdust
was found in the tombs of the Pharos as well. Pharos and Pagans
had the tradition of burning the cedar coming from Lebanon with
their offerings and in their ceremonies. Jew priests however, were
ordered by Moses to use the peel of the Lebanese Cedar in circumcision
and treatment of leprosy. According to the Talmoud, Jews used to
burn Lebanese Cedar wood on the mountain of olives announcing the
beginning of the New Year.
The superb qualities
of the cedar wood as beautiful color, hardness, exquisite fragrance,
resistance to insects, humidity and temperature, incited Phoenicians,
Egyptians, Greeks and many others to use it extensively. The Phoenicians
built their trade ship and military fleets from Cedar wood as well
as the roofs of their temples, houses and doorsills. Kings of neighboring
and distant countries asked for this wood to build their religious
and civil constructs; the most famous of which are the temple of
Jerusalem and David's and Solomon's Palaces. It was also used in
the temples and furniture works of the Assyrians and Babylonians.
Greeks, Latinos and Romans had their share of Cedar wood which they
praise and have pride in.
Throughout history,
cedar wood, and such byproducts as cedar oil, have proven to be
worth far more money than living trees, however beautiful they were.
At the time of Gilgamesh, Egypt has already cut (without replanting)
large amounts of cedar for ship construction and for export. They
continued the same tradition. Cedar cutting prevailed under various
administrations, up through the time of the Ottomans. They finished
off most of the remaining forests by using cedar wood as fuel for
railway engines. They generally bypassed more easily obtainable
oak wood, since cedar (because of its oil content) burned much better.
The presently remaining cedar groves were spared mainly because
their regions were relatively difficult to reach.
Cedrus Libani has
been famous in Lebanon since early written history. Many writers
throughout history have been highly impressed with the majestic
aspects of the cedars, and have referred to them metaphorically
to indicate such qualities as strength, beauty, endurance, grandeur,
majesty, dignity, lofty stature and noblesse. For instance, in the
beautiful "Song of Songs" in the Bible, the poetic description
that begins "My beloved is white and ruddy, the chiefest among
ten thousand...," finishes with "... His countenance is
as Lebanon, excellent as the cedars." Cedar is mentioned 75
times in the Bible, and all are included in the Old Testament -Torah-
distributed among 18 books. Some of these statements are: "The
cedar in the heaven of God is unmatched by cypress and unresembling
in its branches...", "the trees of God resemble the Cedars
of Lebanon which he planted", "the righteous flourish
like the palm tree and grows like the cedar in Lebanon", "my
love is white and red... bright as Lebanon and young as the cedars".
The cedar of Lebanon is also the main tool in the oldest epic ever
written by man -The Epic of Gilgamesh- a story from the Mesopotamia.
The earliest reference is the Epic of Gilgamesh, which dates back
at least four thousand years (Leonard Translation, slightly modernized):
"On the Mountain the cedars uplift their
abundance. Their shadow is beautiful, is all delight. Thistles hide
under them, and the dark prick-thorn, sweet smelling flowers hide
under the cedars ... In all directions, ten thousand miles stretches
that forest..."
From the above, one
gets the impression that the cedar forests were extensive at that
time. One reason for this might be found in the description of the
monster that guards the forest:
"Who could dare enter? Khimbaba's below
is storm wind, His mouth is fire, and his snort is death! Enlil
has placed him there to the terror of men, for warding the cedars.
And whoever enters the forest is suddenly faint".
Gilgamesh, of course,
kills the monster commenting in passing:
"I will set my hands to it and fell the
cedars, I will make myself a sounding name"
The Scriptures by
Ezekiel illustrate beautifully how these lofty kings of the forest
were used by prophet orators to symbolize and typify worldly might,
power, and glory. Thus one obtains a fair idea of the crowning insolence
of Sennacherib, the invader, when he boasted in the year 700 B.C.:
"I am coming up the height of the mountains,
to the sides of Lebanon; and I will cut down the tall cedars thereof".
In his book, "The
Natural History of the Bible", Tristan says of the cedars:
"... Everyone who has seen these noble trees
recognizes the force of the majestic imagery of the prophets. With
their gnarled and contorted stems and scaly bark, with their massive
branches, with their dark green leaves shot with silver in the sunlight,
as they stand a lovely group in the stupendous mountain amphitheater,
they assert their title to the monarchs of the forests".
To end this unfulfilling
account of Cedrus Libani, it seems only right to refer to Khalil
Gibran's book "A tear and a smile" where he says:
"My love is as the cedars, beloved, and
the elements shall not conquer it."
The cedar of Lebanon
is a plant of cold high mountainous regions. It flourishes and easily
regenerates its forests where the average rainfall ranges between
800 and 190 mm. The average temperatures that occur in the land
of the cedar are as follows: as low as -4.5 to 5.4 C on the coldest
month i.e. January, and as high as 21.8 to 34.3 C in the warmest
month i.e. August.
|
|
Many tree species,
such as the Maple, Acer tauricolum; the Wild pine, Prunus ursinus;
and the high Juniper, Juniperus excelsa are associated with Cedar
forests in Lebanon. The most prominent are oak trees such as the
Evergreen Oak, Quercus Calliprinus; Cyprus Oak, Q. infectoria; Turkey
Oak, Q. Cerris; Cedar Oak, Q. Cedrorum; and Lebanon Oak, Q. Pinnatifida.
Other trees ad shrubs
exist as associated species, or as neighboring forms that outline
the cedar forests. Some of these are the Juniper, Juniperus Oxycedrus;
the Mountain Ash, Sorbus Torminalis; The Medlar, Cotoneaster nummularifolia;
and the Cilician Fir, Abies Cilicia. The most characteristic species
of the underbrush are the Lebanon Vetchling, Lathyrus Libani, the
Lebanon Crane's Bill, Geranium Libanotica and numerous Astragalus,
Lotus and Rosa species.
For many hundreds
of years the Cedar of Lebanon has been the national emblem of Lebanon.
|